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I.M.
Sahai does a recce of the famous Parisian nightclub,
that’s spawned a hit.
THE film
Moulin Rouge, so much in the news these days and being
released by Fox Studios worldwide (including India), has drawn
the spotlight once again on the old and famous nightclub by
that name in Paris.
82, Boulevard
de Clichy is a known location in that metro, for that is where
Moulin Rouge (which means the Red Mill) has existed for over
a century. Each evening, hordes of tourists and pleasure seekers
descend on the area where it is located, which also happens
to be the red light district, Place Pigalle. The better-off
among the visitors, mostly from out of town (and country),
however, head for the famous nightclub, with the model of
the red windmill on its terrace. Most visitors have to be
patient and await their turn in long queues for entry to Moulin
Rouge’s first stage show, which starts at nine in the night.
The restaurant
seeks to cater to multiple tastes and thus the show packages
a variety. It includes music, acrobatics and circus acts,
but the visitors treat these as mere side items. They come
mainly to see its topless dancers, performing in a succession
of revues. Each artiste is carefully selected by the organisers
for her looks, height, figure and dancing ability and then
put through her paces rigorously. Not all are from the French
mainland. France had colonies in North Africa, Indo-China
and South Pacific. So in the collection of dancers, you can
see white, black and pale skins, picked mainly out of immigrants
(no browns, but the day may not be far off).
Each
show must have a couple of items of can-can, for that is what
had given Moulin Rouge its exclusivity and fame after it was
opened way back in the year 1886. In the closed societies
of those times, the sight of young, scantily (but most colourfully)
attired dancers flouncing on the stage and kicking high, must
have been magnetic. At that time, the can-can dancers also
came down to the tables, mixed with the patrons and tried
to create a friendly atmosphere. While that does not happen
now, can-can continues to be the piece de resistance of the
evening.
Moulin
Rouge also labels its shows. The package currently on starring
100 artistes, is called Feerie (enchantment). The show that
it had put on for its centenary celebrations some years back
was called Formidable — having seen it, I can assure you it
lived up to its name! However, it is to the nightclub’s credit
that none of its items cross the thin line which separates
risque from vulgar. Naughty? oui! Smutty? non!
When
it had started, Moulin Rouge was patronised mainly by poor
artists who, hanging around the Montmartre district of Paris
could barely afford a full meal. They warmed mainly on cheap
wine and were entertained by the floozies who were out to
make a quick buck. The aura of the time was well-created in
a ’50s Hollywood movie Moulin Rouge, on the life of a 19th
century painter, Toulouse-Lautrec. The French artist, all
of four feet tall, virtually lived there and his paintings
(or their reproductions) still adorn the walls of Moulin Rouge.
The movie gave fame to the nightclub and a boost to tourism
in the area. The new movie (on a similar but different theme),
starring Nicole Kidman, will undoubtedly carry that fame to
the current generation.
Moulin
Rouge certainly cashes in on its success. Entry into the nightclub
is not cheap. There are two types of tickets. The less costly
one (about Rs 3,500) entitles one to a round of drinks and
a seat at the Bar (if and when available), as one watches
the show. The costlier one, around Rs 5,000-6,000 (depending
on one of the three menus), is for a table and dinner. The
cuisine, mostly French, is excellent (though there is not
much for the veggies).
To further
lighten your pocket, there are photographers on the move.
You can get your keepsake photo taken (in one of three sizes);
it can also be imprinted on a box of paper matches. The nightclub
also has a boutique full of mementoes on sale. The well-known
black logo of Moulin Rouge (with the letters ‘M’ and ‘U’ in
red), and occasionally the drawing of a can-can dancer, is
embossed on each article: bags, T-shirt, shorts (down to the
more basic garments). Newsweek magazine reported recently
that Moulin Rouge earned US $ 30 million (about Rs 140 crore)
last year, up 30 per cent from the preceding year. What a
loot!
Moulin
Rouge has to fight many battles. It strives to keep its entertainment
clean, in an area which is otherwise sordid in fare. In fact,
there are are a number of seedy joints, all located around
the same ‘Place’, which seek to attract the un-rich tourists
(or overflow from Moulin Rouge), with raunchy items of their
own. Moulin Rouge also faces competition from other nightclubs,
which are big, respectable and similar to it, and have come
up over the years in some parts of Paris: Lido, located on
the popular and fashionable Champs d’Elysee, swears by its
own night show — and had brought it even to this country.
But for
the habitues of Moulin Rouge, there’s nothing else in comparison:
c’est magnifique, and the only one!
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