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THAT'S KASHMIRI-V


Story-telling to keep away from turning icicles

Come peak winter phiran-clad souls begin to warm up for hours of story-telling. Imtiyaz Bakshi on a reverie trip.

The pleasures of outdoor life are plenty in Kashmir but the denizens of this tradition-rich place are no aliens to indoor culture. Come Chillei Kalan (40 days of peak winter starting from December 21), Kashmiris are ready for long sessions of story-telling and indoor games. The idea is to keep away from turning icicles.

Also in the series
» Where Shaivism meets Sufism
» O for a few white flakes of powdery snow!  
» Food fest: it's Kashmiri hospitality for you  
» Kargil's vibrant culture knew no guns  

The present-day Kashmiri is armed with television, VCR, cable and other modern-day luxuries to entertain them when forced in the confines of four walls by the chill outside, but story-telling formed the best form of room entertainment for men, women and children in the days of yore.

The list of stories was quite long. Saam Naame or the adventures of legendary wrestler Saam; love stories on Himaal Nagrai, Shireen Farhad, Laila Majnoon, Gul Bakaoli, the treasure hunt of Ali Baba and Chaalis Chor, the good deeds of Sindbad and tales of Alladin and his Magic Lamp. If the vast reservoir of fables and fairy tales never really exhausted for the parents and elders, the children also excelled in their show of patience.

The room settings is made conveniently warm for long sessions of story-telling. Heat radiated underground from the kitchen oven to the adjacent hamam while the bedrooms were kept warm by the bukhari fire. Children, clad in knee-long traditional Kashmiri phiran with Kangri (earthen firepot with willow-wicker insulation) tucked inside, would sit around the narrator and implore him to unwind story after story.

He would begin with the romancing couple Shireen and Farhad and go on telling how Farhad went about burrowing a tunnel in a North Kashmir mountain of Haramukh as a pre-condition to earning the hand of his lady love Shirren in marriage.

Then there is Himaal Nagrai, a local fairy tale of love between the Prince of Cobras (Nag), who lived seven earths below, and stunningly beautiful, all-human Himaal. The story tells how Nagrai would often abandon his kingdom to visit the mother Earth. It was during one such visit that he met Himaal and was dazed by her beauty and clarity of mind and soul. Nagrai fell in love and did not mind ditching the maidens of his kingdom. But there was a condition attached. The Prince would remain on the earth as long as he was not drowned in a tub of milk. It was here that the snubbed maidens hatched a conspiracy to ensure his return to his kingdom. They befriended the innocent Himaal and made her prepare a tub of milk. Nagrai drowned and vanished.

"Khul ja sim sim, band ja sim sim" opened and closed treasures for Ali Baba and Chalis Chor. Sindbad would humble demons with his intelligence and heavenly prowess. Gagar Lache or tales of rats are told to an assembly of children, where all the participants thrust their hands inside the phiran of a player, who, in turn, puts a pebble in one of the eager hands. The others then have to decipher the hand carrying the precious pebble. It is here that the participants' will power and control over emotions comes into play as curious eyes look for changed expression on the faces. A smile or blushness on the visage of the one carrying the booty would often let him down.

(Expressindia welcomes suggestion and feedback from its readers on its endeavour to reconstruct the fading charm of the Valley and to present before them a slice of Kashmiri life beyond the booming guns.)

 
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