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Paromita-Chakrabarti

Posted: Jun 16, 2008 at 2247 hrs IST

A 26-year-old launches his manuscript assessment agency with an eye on promoting new authors

Ever since he was a child, Kanishka Gupta would rather spend time with books instead of regular trips to the family-owned Sangam cinema hall in RK Puram. The 26-year-old, who dabbled in creative writing, worked in magazines and finally took up a research position with author Namita Gokhale, often wondered what it took to get a book published. He’s finding that out now, having established Writer’s Side, which he calls “Asia’s first manuscript asessment agency”.

“I started Writer’s Side because I feel there is a need to guide writers through the process,” says Gupta, who has picked up most of his skills from his own editing experiences on the job. Gupta works with a team of nine—mostly people with a publishing background or established regional authors— at his Delhi Cantonment office. Gupta himself is an MBA from the Indian Institute of Finance in Delhi.

Gupta firmly denies that his two-month-old firm is actually a literary agency. “We also assess manuscripts—everything from reading, critiquing, editing and providing critical inputs” , besides recommending them to scouts and publishers and agents. “Writers in India waste precious time self-evaluating or getting evaluated by peers who have no knowledge of the industry. I think in the interest of writers no doors should be left unopened,” he says.

All this comes at a pretty price. Gupta charges Rs 6,000 per 200 pages for reading manuscripts and Rs 10,000 per 200 pages for critiquing and editing it. There is a fee of Rs 250 per additional page.

Gupta says his thrust is on foreign publishers. “I have contacts with over 16 publishers and 10 agencies in the UK, agents in the US, Australia and Israel and two top scouts who will read books that might be better suited to translations. I also know many publishers in India,” he says. About 35 manuscripts have come in already and Gupta may have his first shot at success soon. “I am working on a collection of short stories by a literary critic. A leading literary agency has read two stories and is waiting for her to finish the book. If the author gets contracted, then the sky would be the limit for her,” he smiles. His booking session would begin too.

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