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The outfits are bright and colourful, not something that Rodricks with his penchant for white and neutrals is known for. But the designer, dressed in black for a change, assures you that’s where he is trying to buck the trend. “I designed it, keeping in mind the urban woman who is just back from a vacation by the seaside and is still revelling in the mood. It calls for colour and abandon. A segment of the collection is in white too, of course,” he says. In a way the clothes are a clear giveaway of Rodricks’ signature style. Maghera’s outfit, a pearly crepe dress, flowing freely and with flowers as embellishments, is a pretty picture. But it takes you back to his 2004 collection, also a sea-and-sand inspired one, where the show was all about pristine whites and flowing silhouettes. Agarwal’s cocktail dress, which looks like a colourful tropical bird, with feathers sticking out, though, is a direct derivative of his tropical inspiration, gorgeous and awash with colours, even if it is a trifle low on the wearability quotient. Rodricks agrees, in part. “The preview ensembles are like ads. We pick up the dramatic pieces to give a basic idea of what they are about, but it’s not the actual thing. This particular dress, for instance, is more couture and red-carpet, than pret. But the actual collection is much more toned down. It’s more wearable,” he says.
The Lakme Fashion Week finale in Mumbai is not the only thing Rodricks is busy with now. Up next in April, there’s the Chivas tour in Dubai. “And then I go on a vacation,” he sighs, “and no, this time, not to a tropical island for a change. I am headed for Beirut.” Post the vacation, it’s back to Goa to work on the finer details of another important project: Rodricks has tied up with Bombay Dyeing to launch his collection of home linens. The sea and the surf can wait.


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