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The Real Picture

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RICHA BHATIA

Posted: Feb 13, 2008 at 2336 hrs IST

While most contemporary feminist writers see no reason to transcend their comfortable urban locations to engage with poverty, male domination and issues that trap middle class women in India’s forgotten, small dusty towns, Anuradha Marwah presents an unflinching picture of two sisters “who become a victim of their own mindset” in her third novel Dirty Picture (published by IndiaLog and priced at Rs 195).

Marwah, 45, who is a professor of English literature and Creative Writing at Zakir Hussain College talked about her book at the World Book Fair in Pragati Maidan, “It was the subject that chose me, and I knew I had to do it,” she explained.

Based on a sex scandal that shook her hometown Ajmer, in 1992, it was the nude blotted photograph of a young girl published on May 16, 1992, in a local Hindi daily Dainik Navjyoti that prompted Marwah to write Dirty Picture. The scandal involved influential men, from a minority community, who coerced several schoolgirls into illicit sex. They had taken photographs and made video films of the act. “Several extraneous issues clouded the real story,” said Marwah, a determined activist-writer.

Marwah’s audacious fiction is partially based on facts and draws from these sleazy incidents. Set in the liberalisation era in Ajmer and Mumbai, the protagonist, Bharti, is inevitably drawn towards her nemesis. “She is trapped in her small town identity and her attempt to break out makes her a target,” stated Marwah, whose last novel Idol Love, 1999, was a dense political satire. Eventually Bharti’s body becomes the battleground on which the sexual politics of power is laid bare.

Though she didn’t meet the victims of the scandal, Marwah, who began her research in 1996, met the journalist Santosh Gupta who broke the story. “The most difficult conversation was with my mother, who at that time was the vice principal of Savitri Girls,” said Marwah. She finished the novel in 2005. The cover of the book, an oil on canvas by Pakistani artist Iqbal Hussain, typifies the protagonist’s complicated flux of power relations that surround her. However, it is the title that is most evocative. “It is attractive and very clearly sums up what the novel is about,” said Marwah.

Marwah’s next novel is vastly different from this grim book and is typical chick-lit, as it deals with the life of a single woman in Delhi. “It’s also important to entertain your readers,” smiled Marwah. A writer for all seasons, indeed.

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