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Vandana Kalra

Posted: Jan 19, 2008 at 0115 hrs IST

A spurt of petrol on wet road, the viscous fuel spreading into shifting patterns, glistening like an organic abstract of indigos and yellows under the sun of Akola, Maharashtra. A young Ambadas watched the art in progress, fascinated. The fascination has stayed with the 85-year-old master abstractionist — from the early 1960s when he and a handful of radical artists moved away from the romanticism of Raja Ravi Varma and the stranglehold of forms to create Group 1890 and see “phenomena in their virginal state” to the coldness of Oslo where he is based for the past 35 years. “For me art was a means to look forward and depict the unknown,” said Ambadas, who was in the Capital for his retrospective at the Delhi Art Gallery.

The exhibition “Sublime Encounters” has watercolours and oils created over a period of 40 years (from 1965 to 2005), a journey from dark shades to a lighter palette with a predominance of blue. “But the style of my artwork is essentially the same, just like the essence behind them,” said Ambadas. While the exhibition took the artist down memory lane, the opening acted as a reunion of sorts for the erstwhile Group 1890, with Himmat Shah and Jyoti Bhatt joining Ambadas. “The aim of our group was to go beyond the stereotype and not to succumb to commercial pressures.... Some of us managed to do that while others deviated from the path,” said Ambadas, grimly. “It’s quite like the present Indian art scene, where the commercial is gaining importance.”

The exhibition at the Delhi Art Gallery is on till February 10

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