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World at her feat

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Posted: Sep 25, 2007 at 0000 hrs IST

THE imposing amphitheatre couldn’t have provided a better ambience for the artistically inclined to acquire a taste for Kathak. The occasion was the World Dance Congress held at Athens, Greece from September 5 to 9, and the venue, the Dora Stratou Theatre situated opposite the Acropolis on the far side of Philopappou Hill that had Pune’s Prerana Deshpande regaling audiences with teentaal.

“While on a private, multi-city concert tour to Europe, I was invited to this festival and performed a solo Kathak dance,” says Deshpande, who performed on the inaugural day. Amidst the robust rhythms of tap dance, belly dance, ballet, flamenco and Old Greek folk dances, to name a few of the dance forms that were showcased, Kathak—all the way from the Indian sub-continent—stood out for its grace. The focus was on choreographed compositions without compromising on the traditional aspects of Kathak,” says Deshpande.

“Teentaal received a spontaneous response as rhythm is a universal concept in dance,” she elaborates further.

She even had international professional dancers attending her workshop on Kathak. “It was a great challenge to introduce and simplify Kathak in the stipulated hour-long period that was given to me. So I concentrated on some basic footwork, tihaai, body movements and use of cycle beats in Kathak. And I’m glad my audience picked up these nuances brilliantly,” she says.“I explained the aesthetics and elements of Kathak based on time, space and energy. While rhythm is a universal concept, the rhythm cycle or taal is an entirely Indian classical concept,” she says. In fact, after her performance, Deshpande was flooded with eager queries on the style. “Many dancers told me that they knew Indian dance styles were different, but could never appreciate them because they didn’t know the details,” she reveals.

Paper presentations on dance were another aspect of the event. And, Deshpande’s show along with Odissi danseuse, Sujata Mohapatra—held a few months back in Pune and Bangalore, that lauded the Ajanta and Ellora cave—-came in handy. “We’d presented Kathak and Odissi together to promote the world heritage site of Ajanta and Ellora caves. It was a tribute to the exceptional craftsmanship of people who built those magnificent caves,” she says.

Making a paper presentation on the same, Deshpande put across an important message. “I tried to explain the responsibility of artistes to use their art to generate social awareness,” she says.

An enriching experience that helped her unleash her talent in front of professional dancers, dance critics and film-makers, Deshpande enjoyed the give and take on creative know-how. “I was fascinated by whatever I saw of the various dance forms there. Wish I had enough time to attend those workshops, though,” she says. For an artiste, good is never enough.

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