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Art Alive

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RICHA BHATIA

Posted: Jan 01, 2008 at 0000 hrs IST

As soon as you step into Gallery Espace in Delhi, you are met by an arresting piece of art. A humungous, stainless steel heart, placed bang in the center of the gallery. It’s a piston for an artery with two wheels riding over the right side of the heart. Sprouting from the veins is a myriad bunch of shrieking figures. It’s not just any heart, as Baroda-based artist Shiv Kumar Verma points out, “It is a reflection of science and technology’s adverse impact on the human body and mind.” The 29-year-old adds, “The figures are crafted in typical Bastar tradition, depicting the influence of contemporary designs on local craft.”

The exhibition appropriately titled ‘Re-visioning Materiality’ brings together Gigi Scaria, Vibha Galhotra, Srinivasa Prasad, Kausik Mukhopadhyay, Chinmoy Pramanik and Verma, and urges them to push the envelope, reflecting on societal concerns.

In a respectable corner thousands of clocks click asynchronously in a striking red building, in a creation titled Many Times. Upcoming artist Vibha Galhotra’s take on thousands of construction sites in the capital has satirical undertones. “Coming from Chandigarh, the metro seems quite busy and bizarre. The rapid development in Gurgaon and the city is confounding,” explains Galhotra.

Her creation doesn’t spare any construction activity, even when it is being done to improve city living, like the DMRC, which has currently dug up most of Delhi’s jam-packed arterial roads. “In the present scenario construction includes everything. The erratic timing pertains to the officious nature of people,” says Galhotra, 29, who is based in Delhi and dabbles in different mediums — photography, filmmaking and painting.

Galhotra makes no qualms about the fact that she cherry-picked the artists. “The theme required reinterpretation of the present surroundings and Gigi, Shiv and Chinmoy are famous for their contemporary style,” she smiles.

The city element recurs in Scaria’s City Beats, portraying city beasts, a glitzy metal façade flashing in random brilliance. Deifying the incisive representation of the cityscape at the opening of the exhibition were art critics Gayatri Sinha, filmmaker Atul Bhalla and Geeta Kapoor.

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