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Back to the Future

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Anushree Majumdar,RICHA BHATIA

Posted: Feb 05, 2008 at 0246 hrs IST

Despite our cultural association with the sciences (It’s every Indian parents dream for their kids to be doctors or engineers), Indians have in general, had little success with portraying science in the arts, in books or in film. Now, the Pune-based writer Priya Sarukkai Chabria has written her second book Generation 14 (Zubaan-Penguin, Rs 295) that can best be described as a serious work of science fiction. “I’d prefer to describe it as speculative fiction,” says the 50-something Chabria, clad in a stylish black jacket and maroon skirt, when we met her at Delhi’s India International Centre. “I’ve been fascinated by cloning and the repercussions of the phenomenon. I wanted to tie it up with the themes of violence and ethnic conflicts that are very relevant in India today. One day, all those ideas came together and I started writing this book,” continues Chabria.

For someone whose first novel The Other Garden dealt with a broken home, heartbreak and personal loss, clearly Chabria has moved out of her comfort zone to write this ambitious novel. Generation 14 is an intense, yet engaging story of a fourteenth generation clone who carefully guards a secret that could threaten her very existence: her memory. As a citizen in a futuristic India, the clone sidesteps her controlled existence as her brain traces her memory back to an ancient and lost civilization, of an India of the past.

Dredged up from Chabria’s vivid and rather disturbing dreams, of “a severed hand and a submerged temple spire” Generation 14 crosses genres and includes visitations from a lesbian gecko, a pompous fish and feral wolf. When the book was launched at India Habitat Centre, one such lusty period from the chapter, The Sentence was brought alive with a febrile intensity by eminent theatre personality Suneet Tandon. And Chabria’s younger sister Malavika Sarukkai, a renowned Bharatnatyam dancer emoted the unrequited love of a parrot for her mistress in a 12-minute performance from the chapter The Recovery Pad.

It took Chabria nine long years to complete this book. She did extensive research on the cultural history of the country along with folk tales like Panchatantra. “There is a world of knowledge in the past and I wanted to tie up my protagonist’s experiences with the memory of a time gone by,” says Chabria.

Although the protagonist is female, Chabria did not want to play up the gender card in the book. “In the Sci-Fi genre, we mostly have white male narratives from the first world. I wanted to explore a futuristic India that is fuelled by technological brilliance but has lost the essence of feeling,” she says. She is now completing work on her third poetry collection Not Springtime Yet that is due next year.

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