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Glocal rock

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Mohan Kumar

Posted: Mar 06, 2008 at 0237 hrs IST

Some might think of Malayali rock as an oxymoron, but not any more. Alternative Malayali rock band, Avial, (after the quintessential curry from Kerala), is out with their explosive, self-titled debut album—a melting pot of folk-ish lyrics tuned into intricately textured spacey sounds, all the while sticking to the raw riffs and beats of alternative rock. And listeners seem to have instantly digested the new style.

Avial’s music has already drawn a sizable cult following, visible on their myspace page, which speaks volumes about the accolades they’ve received from around the world. The band has even caught the attention of Rolling Stone-India — the international music magazine has hailed guitarist Rex

Vijayan as one of India’s best axe-men. Their music video, too, went on air recently. Avial—especially dexterous guitar player Rex and multi-faceted vocalist-DJ Tony John (involved with the contemporary dance group Daksha Seth)—certainly took their time (two years), to mould their sound and attitude.

“We did not have a definite sound in mind when we started out. Only a certain standard of sound design and quality,” says Rex. Tony explains the band’s electronic bent of mind, saying, “We experimented with sounds with the help of gadgets. We produced new sounds using guitar and synth pieces and scratched them.”

Although Malayalam is not the best language to be moulded into rock music, it came quite naturally to the band. “It was not that much of a challenge,” says Rex. “Film songs, on the other hand, might have been more challenging to give a rock flavour.”

The band is keen to get the attention of Indian listeners as well as a global audience; they’ve consciously inculcated a transgenic sound, for a wider reach. “We certainly had the global audience in mind,” says Rex. “The music has to take it from where the lyrics have stalled,” he added. However, even a local might find it hard to interpret the lyrics, as most of it has been picked from works of poets and writers like Kavalam Narayana Panicker, Engadiyur Chandrashekaran, P B Girish and Sudhi Velamanoor.

On the album, Karu Kara, Adu Pambe and Njan Aara have been craftily worked, with an intense mixture of vocals by Anand Raj Benjamin Paul, brilliant guitar layers and textures both melodic and spacey. They’re accompanied by trancey samples from the turn tables coupled with groovy bass lines from Bombay Black member and the only non-Malayali, Naresh Kamath, propelled with hard line drumming from Mithun Puthenveetil. Avial is a bold statement which has broken the umbilical chord which had noosed Malayali music from going global.

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