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You debuted in Johnny Gaddaar with a character that had grey shades. Your next release Aa Dekhen Zara is a sci-fi meets superhero movie. As a newbie in the industry, have you not been taking quite a few risks?
I have been choosing films that I’d love to watch. Johnny Gaddaar was unconventional but it was a commercial film. And if Krrish and Koi Mil Gaya were successful entertainers, then I don’t see why Aa Dekhen Zara is risky. Yes, it does have a larger-than-life element—a camera that predicts the future— but the treatment is simple. In fact, I have always loved such films. I grew up watching Amitabh Bachchan’s Toofan or Shahenshah.
But currently the common man is the hero. Aren’t you then stuck in the era of your father and grandfather?
I may sound like a follower of old-school but cinema, to me, is supposed to be larger than life. I miss the powerful dialogues and well-etched characters of yesteryear. Aren’t the most memorable characters in cinema the ones that have been larger than life? Like Gabbar Singh?
You had quite a few offers, so why did you trust debut directors Sriram Raghavan and Jehangir Surti to start your career with?
I was a debutant once and they trusted me too. Besides, they all belong to the same camp of progressive filmmaking. We all envision cinema the same way. Their style of filmmaking, though contemporary, incorporates a retro feel, the way Johnny Gaddaar did.


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