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The order of myths

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PriyankaPereira

Posted: Feb 23, 2008 at 0130 hrs IST

It was the era of gods, literally. The late 1980s and the early ’90s saw Indian television reaching its peak with its epic serials —Ramayan and Mahabharata. They were so popular that streets were deserted when it was time for telecast, cabinet meetings were rescheduled so ministers could watch them and in a few instances, wedding venues had screens set up for the benefit of guests. But with the advent of satellite television, mythology took a backseat as viewers got engrossed discovering new things on television.

Almost after a decade, mythology is making a comeback on national television. But will it appeal to the Indian sensibility this time around? “Out of our total viewers, there are four crore people above the age of 30 and three crore below the age of 20. These three crore haven’t seen the first Ramayana,” says producer-director Prem Sagar, who has brought back the epic on NDTV Imagine. In just four weeks, the serial has already made it to the sixth position on TRP ratings. “There was a risk involved but the chances of success were more,” says Shailaja Kejriwal, EVP content, NDTV Imagine who believes that this serial will do well because of its strong values.

Director Ravi Chopra always believed that mythology would make a comeback in a big way and that’s why he began working on Mahabharata. Soap queen Ekta Kapoor couldn’t resist the lure of making moolah here and grabbed the opportunity of recreating this magnum opus.

“It’s good as a differentiation factor, but not as a staple diet,” says Ashish Kaul, head of corporate brand development Zee Telefilms. “Mythological serials have to be a mix of spirituality and fiction.” Zee’s Aladdin and Ravan are typical examples where adventure is mixed with spirituality. “They are easily understandable. But for the younger generation they have to be out-of-the-box.” An entire serial dedicated to the biggest villain in Indian mythology, Ravan, explains his point.

“Moreover, have your target audience in mind. A show like Prithviraj Chauhan will appeal to the youth, but the target audience for Jai Santoshi Maa could be mainly the devotees,” says Prem Kamath, VP Marketing, Star India.

But the new viewer is much more demanding. “The production values and special effects that can draw the younger generation,” feels Arun Govil, who played Ram in Ramanand Sagar’s Ramayan. The present-day Ramayan has seen a few alterations in terms of dialogue. “In the older version, Valmiki delivers a long speech. But we’ve discarded it,” says Sagar who feels the younger viewer likes it crisp.

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