|
Kerala colours
Deepa Deosthale
Gayatri Ramachandran M
My works are expressions of my innermost feelings, my thought and my
philosophy in life," says Gayatri Ramachandran M, an artist, writer, film
maker, cartoonist and architect from Kerala. Paintings from his collections
titled The childhood memories, The village and The
diary are currently on exhibition in the city's Mahalsa art gallery.
Gayatri, a self-taught artist, discovered his love for painting at a very
young age. " When I was just three years old, I started making sketches and
drawings with charcoal, on the walls and the floor of my house. And I was
encouraged to pursue my interest by my parents and teachers who thought I
had the potential of becoming a painter," says he.
His first brush with critical acclaim was in 1977 when, at the age of 18, he
won the Lalit Kala Academy award for his painting, Mother. "It was an
exciting moment in my life. That was when I decided to take up painting as a
serious profession," he says.
Gayatri's works draw from the picturesque landscape of Guruvayur in Kerala,
where he has spent the best part of his life. "In front of the Guruvayur
temple there is a stage which is a platform for performing arts -- from
dances like Kuchipudi and Bharatnatyam, to recitation of shlokas,
magic shows and music programmes. All these events are very colourful the
costumes, make-up, the drapes and the sets, present colours mixed in
unimagined forms. I try to incorporate these in my paintings," says he.
The childhood memories paintings are the artist's externalisation of
his childhood fantasies, when he dreamt of catching the moon and flying
without wings. "These pictures are not imaginary, they are drawn from my own
experiences as a child in Kerala," says the artist. While The village
series is again a depiction of rural life in the southern state. "These
people are very poor, but they are also very innocent. What I have tried to
show is their struggle for survival, and scenes from their everyday life,"
he says. The diary> paintings are a mix of Gayatri's personal thoughts
on the human condition, and portraits of contemporary reality. The recurrent
theme in these works is the struggle for power. "We like to think that we
are Gods of our own small worlds. We become despots and try to suppress and
control others," he says. One of the paintings in this collection shows a
crowd of people without faces. "It is a bird's eye view of people in cities,
who are constantly on the move. But an individual in this sea of people has
no image, no character and no face. It's an identity crisis which everyone
faces in a crowd," says Gayatri. The dominant colour in the artist's works
is green. "This colour has some special emotions in my mind. It has a
cooling, soothing effect, almost like a lullaby. To me it is like a mother's
comforting touch and a symbol of peace," he says with feeling.
While Gayatri is totally committed to pursuing his career as a painter, he
is also a writer who has published critical works on art and literature. He
won the Kerala Sahitya Academy Award for his book, Anasaktiyude Hiranya
Theerangal , in 1996. He has made telefilms on a range of topics from
the problem of old age, the festival of Onam, to the Naxalite problem. "I
prefer to make films on social subjects. I want my films to make people to
take cognisance of socio-political problems. This multifaceted artist is
also an architect, though he has not had any formal training. He learnt the
technique of building low cost houses from French architect Laurie Baker,
and has constructed over 100 residential buildings and a few memorial
buildings in Kerala. And has also brought up three buildings in Panvel near
Mumbai.
But despite his varied interests, painting continues to be Gayatri's first
love. He wants to stick to simple designs and make pictures that people can
identify with. "My works should be self-explanatory, because my creations
are meaningless if a viewer cannot understand them. I want to propagate my
philosophy of life through my works that goodness, happiness and love
should prevail above everything else. I want to give people hope, and tell
them that there is a future staring at us and that we should look forward to
it," he says.
Deepa Deosthalee
Copyright © 1997 Indian Express Newspapers (Bombay) Ltd.
|
|