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The Mexican Angle
SO what do Jennifer Lopez and Salma Hayek have in common? You’d never guess. Mexican painter Frida Kahlo’s biopic. Both Lopez and Hayek are currently working on two separate projects — both Kahlo’s biopics. And now it looks like Hayek may beat Lopez to the big screen. Hayek, who’s long been attached to star as the iconic artist for Miramax, is now lining up an impressive set of cast members, including Antonio Banderas, Ashley Judd, and Edward Norton. The Hayek-starrer may also be close to netting a director. Julie Taymor, whose theatrical staging of The Lion King brought her kudos and a Tony Award, is in negotiations to helm the picture. The other Frida Kahlo project, in which Lopez is to star, also has some big guns on board, with Luis Valdez (La Bamba) in the director’s chair and Francis Ford Coppola acting as producer. Meanwhile, the Miramax project is also close to finding a leading man. Alfred Molina, of CBS’ Ladies Man, is in talks to take on the role of Kahlo’s famous painter husband, Diego Rivera.

Reel Life Lovers
SO what if Julia Roberts and John Cusack are not real-life lovers. They will soon be heading that way — on-screen of course. And get a load of this: Catherine Zeta-Jones may join them! And what we are talking about are those fiery romantic triangles. The film, America’s Sweethearts, is based on a script by Billy Crystal and Peter Tolan.Cusack and Zeta-Jones would play the titular duo, married movie stars whose marriage — in the Bruce-and-Demi, Meg-and-Dennis mode — has come apart. Crystal may also star in the film as a publicist who attempts to keep the marriage alive for promotional purposes, even as Cusack’s character is falling for his wife’s newly slimmed-down sister, played by Roberts. Cusack and Zeta-Jones played former lovers earlier this year in the sardonic comedy High Fidelity. Production is expected to commence from January.

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Polanski’s Different Keys

‘‘MAN aged 25-35, slight build, dark colouring... He needs to be sensitive, vulnerable and charismatic.’’ A personal ad? Actually, an invitation to play the leading role in Roman Polanski’s next film. As publicised in the U.K.’s Guardian newspaper, an open audition, for which acting experience is ‘‘not essential, ‘‘ will be in London’s Covent Garden to find a perfect fit for the role of Polish musician Wladyslaw Szpilman.

Polanski has waited a long time to make The Pianist, based on Szpilman’s autobiography. Originally published in 1946 and suppressed for decades by the Polish government, it recounts its author’s narrow escape from the Nazi concentration camps, an experience similar to the director’s. Alex Johnson, of casting agency Celestia Fox, told the Guardian, ‘‘He feels there is someone out there, and not necessarily an actor, who embodies what he feels about Szpilman. Obviously, the ability to play the piano would help, but he is looking at this in a very broad way.’

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